THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes craving romantics, with this difference: Buster appears to be a plausible mate, plus the Tramp hardly seems to have a libido, only idealized notions. If their comedies were manufactured in a more liberated time, it is possible to imagine Keaton in mattress with a lady, but disquieting to think about the Tramp being a sexual being